In the theater, I felt like I was returning to safe place of paintings, docents, and art history. I was the first person sitting in my seat, several people joined me, and unfortunately, I was the last person to remain. The three hour film put me in a museum ecstasy, but it also unintentionally confronted the fundamental problem that all museums face--it's hard to capture the attention of modern audiences. Where I see contemplative refuge, others see stagnant images with echoes of footsteps. The film had no narration, no plot, no explanation. It's one thing to 'lift the veil' of such institutions, but it's completely different and more interesting to analyze how and why museums continue to be captivating.
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